‘Sucker Punch’ is a knock-out
The best way to describe Sucker Punch is to call it Inception and Muppet Babies love child. Moulin Rougewould act as OB/GYN and Charlie's...
‘The Internship’ provides few laughs but plenty of Google
"The Internship" tries to recreate the magic from "The Wedding Crashers," but audiences are better off googling a funnier movie.
Movie review: ‘The Snowman’
"The Snowman" can't take the heat from movie critic Court Casselman.
SLCC film students have opportunity for unique Sundance experience
Film students at Salt Lake Community College get inspired interning for Utah Film Center during the 2020 Sundance Film Festival.
‘The Marvels’ entertains, but it won’t reignite the MCU
In this review, Jonny Tollestrup says fans of the Marvel Cinematic Universe may feel underwhelmed by a stripped-down plot in "The Marvels."
Movie review: ‘Before I Wake’
Scary or not, here it comes! Film critic Court Casselman offers his in-depth review of Mike Flanagan's "Before I Wake."
Movie Review: ‘I, Frankenstein,’ vow to stop lending my likeness to mediocre occult action...
Arts reporter Stephen Romney reviews the lackluster monster film 'I, Frankenstein.'
The Organ Loft: The way silent films are meant to be seen
At the time of this writing, I have barely returned from an evening at The Organ Loft, located at 3331 S. Edison Street, where...
Sundance film in review: ‘Summer of Soul’
Questlove's directorial debut "Summer of Soul" documents the 1969 Harlem Cultural Festival.
Film review: ‘A Real Pain’
Ashlee Astin shares why Jesse Eisenberg's new film, “A Real Pain,” is a relatable tale of trauma, mourning and grief.
‘The Dark Knight Rises’ and takes expectations with it
Arts reporter Stephen Romney previews the final installment of the Nolan-produced "Batman" films.
Movie review: ‘Heaven is for Real’ leaves something to be desired
The latest religious movie "Heaven is for Real" may leave viewers uninspired by its muddled message.