‘How to Destroy Angels’ is Trent Reznor’s silence broken
How to Destroy Angels is a name that conjures images of a divine struggle against eternal forces written in the pages of an epic...
‘Arthur’ attempts to prove it’s fun being rich and drunk
One of the hardest movies to make is a remake. Not only is it competing with whatever else is out at the time, but...
‘Friends with Benefits’ funny and surprisingly sophisticated
The ironic thing about romantic comedies is that they usually aren’t funny. Unlikeable characters in unlikely plot lines with predictable plot twists just end...
‘Manic City: The Blue Streak Legacy’
In the shadows of Manic City, super heroes and super villains battle every day. One man struggles to become that which he desires most:...
‘Unitards’ is a disappointment to Utah
New high school comedy fails to entertain Globe film critic Joseph Meyere.
Movie review: ‘R.I.P.D.’ proves the old axiom of all flash, no substance
Despite an unusual concept "R.I.P.D." leaves a lot to be desired, according to Romney. Click to read why.
Sundance on the horizon: don’t miss out
Beginning Tuesday, SLCC students can get deep discounts on tickets to Sundance Film Festival screenings.
Movie review: ‘Don’t Breathe’
“Don’t Breathe” is a low-budget horror film that will shock and surprise audiences.
SLCC film students cover lack of reporting when Indigenous people go missing
Produced by SLCC film students, "Missing Murdered Unheard" explores the lack of attention and response to crimes against Indigenous peoples
Superheroes in cinema, part 3: Across the pond and beyond
In parts 1 and 2, I went into great detail about the history of American superhero cinema. However, the genre isn’t exclusive to the...
‘Mirror, Mirror’ at SLCC’s Movie Under The Stars event
Student Life and Leadership showing "Mirror Mirror" for the masses on June 28, 2012
The Weekly Reel: Dr. Seuss in cinema, then and now
To coincide with the release of The Lorax, The Globe presents a brief look at the cinematic history of Theodor Seuss Geisel. What would the beloved children's author think of the latest adaptations of his work?