Samuel Ileum, manager of the Vault Store

Untold stories and small voices heard at Sundance Film Festival

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In the midst of the Sundance Film Festival are people of all walks of life merged together to support a cause of independence.
Liam Neeson as Bryan Mills

A worthy follow-up, ‘Taken 2’ offers cerebral action

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“Taken 2” picks up a couple of years after the events of the first film. Liam Neeson reprises his role as ex-CIA agent Bryan Mills.
Courtesy image from 'Shark Night 3D'

‘Shark Night 3D’ makes sharks lame

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When 3D first came into theaters in the 1950s, a slew of bad horror movies came out just to try and take advantage of...
Emily Blunt and Charlize Theron in "Winter's War"

Movie review: ‘The Huntsman: Winter’s War’

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The prequel-sequel to "Snow White and the Huntsman" fails to live up to its predecessor.

‘Snow White and the Huntsman’ go gritty, dark

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"Snow White and the Huntsman" provides plenty of Evil Queen and the Huntsman.

The Weekly Reel: Top 3 best movies of the 2013 summer movie season

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Arts reporter Stephen Romney gives the rundown on his 3 best movies of the 2013 summer season.

Slamdance emerges from shadow of Sundance

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Slamdance likes to bill itself as the "independent" independent film festival.
Screening room sign

Free classic film screenings at South City Campus

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"Casablanca," "The Red Shoes," "Shadow of a Doubt" and "Rebecca" are being shown for free in the Center for Arts and Media screening room.
Daniel Craig (right) and Rachel Weisz from 'Dream House'

You will question the ‘Dream House’

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Dream House is a film that has a fairly interesting back story, one that is an all-too-common tale of the director versus the production...
Slamdance sign lit up

Slamdance preserves power of unique storytelling

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The Slamdance Film Festival offers another venue for independent filmmakers to showcase their work.
Alex Cross (Tyler Perry) hangs onto a piece of rebar after an explosion.

‘Alex Cross’ is a solid crime drama with some unwanted modern elements

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Romney reviews Alex Cross, a crime drama that weaves the psychological profile of the perpetrator into its narrative.